Stencils for decorative plaster - the house turns into a palace

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Stencils for decorative plaster - remember the bas-reliefs of

Earlier in the palaces of the nobility, the walls were decorated with stunning panels, and most of them were made in the style of bas-reliefs - three-dimensional images. Today, the same wall decorations can be found in the houses of culture, palaces of youth and other socially useful buildings. And how is your housing worse, and why can not you do something like that, a captivating look that surprises and admires in a country house, apartment, office? You can not prohibit a beautiful life, it is an indestructible truth, and considering that today stencils for decorative plasters are sold in the widest range, there are plenty of options for transforming walls in the process of their decoration. But, let's get acquainted with these very stencils closer.

Before you run to the store for a new-fangled pattern to get three-dimensional patterns, you need to think about what you want to see on your walls. After all, the stencil can be anything, with a floral pattern, large and rather complex or small and simple, or after using the stencil on the wall it can unfold its butterfly wings or freeze in the instant of a rapid flight of the seagull. But the stencil is chosen, and it's time to start experiments. But no.

You can not do without the stencil, you need to fix it securely on the wall, because when applying the plaster, considerable efforts will be made and the sheet with the pattern can move. Some experts recommend a paint tape, but it will be much more convenient to use an aerosol adhesive. We also buy it. And also, if not previously purchased, take two spatulas. Now, perhaps, everything.

Stencils for plaster - the technique of using

What do we have? On our hands we have a stencil sheet and finished plaster with the tools attached to it. We take aerosol glue and, holding our breath( not for accuracy, but not to breathe), we put on the surface of the stencil, which is supposed to be facing the wall. Covering the entire sheet, apply the ready-to-work template to the wall and let the glue grab. We leave and admire the resulting result, especially since stencils for plaster are mainly made of flexible transparent plastic, which means that you can immediately see how the picture will fall on the wall.

Finally, the stencil is securely attached to the wall, and it's time to move on to the main part of the work. Need I recall that stencil we fixed on the already completely clean layer of plaster , and now we are applying the final decorative coating, just in a somewhat original way. But closer to the point, scoop up a single spatula with plaster and pick up a small part from it, boldly smearing it on the stencil. That is, one of the spatulas is used as a painter's palette, only not for mixing paints, but for the constant presence of plaster at hand, so as not to incline to the container with the mixture every minute. We make the smears strong, so that the density of the plaster in our "bas-relief" was high.

When the entire stencil( except for the very edges) disappears under a layer of plaster of the desired thickness, we go to rest, to allow the mixture to cool slightly.

If we have lime plaster, then the stencil can be torn off the wall almost immediately, because this composition quickly seizes and then the sheet just breaks from the effort.

In other cases, you need to give the plaster a little time( focus on "a little"), then gently remove the stencil from the wall, along with most of the plaster applied to it, but on the wall will remain what was in the cutouts.

Screen stucco, the secrets of its application

There is no special mystery, but many masters will be dissatisfied with the general availability of this information. So, the stencil is from very thin plastic, which otherwise would not be flexible. What do we need to do to get a very convex bas-relief? All is simple - we put plaster very thick layer, not forgetting that it is necessary to press strongly enough on a spatula at drawing. When a thick layer is obtained, we remove the stencil and obtain a very voluminous pattern.

However, it may happen that the plaster turned out to be viscous and closer to a creamy consistency, although quite thick, so as not to drain down. In this case, when removing the stencil, there will inevitably remain the thread of solution following the sheet, because of which the pattern will lose its attractiveness. Do not be nervous and with one sweeping motion of the spatula to break down the resulting bas-relief, just wait until the stencil plaster dries completely and then apply a thin skin to the edges of the print. If you try, you can pretty round the bas-reliefs, making them more elegant and beautiful.

Covering the entire wall with a pattern, wait a tedious number of days before the ripening of the plaster, and you can proceed to painting the walls. On bas-reliefs the roller will perfectly pass, and at desire painting of decorative plaster can be made by aerosol paints. Imagine what happens if you cover the pattern with gilding or, conversely, use all the colors of the rainbow.

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